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B L A C K C H O R E O G R A P H E R S
F E S T I V A L: H E R E & N O W
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BCF is Celebrating 20 Years!!!
AWARDED ~BEST OF THE BAY
- SF BAY GUARDIAN 2009
RECOGNIZED BY THE STATE OF CALIFORNIA
FOR PRESERVING THE LEGACY OF BLACK DANCE
IN THE BAY AREA, 2019
"Every milestone naturally brings reflection, but the Black Choreographers Festival's 20th anniversary slated for February is powered by something far more profound than nostalgia." -Rachel Howard Read more
SF Chronicle article features BCF for events to see in 2025
SFGate - February 6, 2014
Black Choreographers Festival Review....Nora Chipaumire Returns....
SF Arts Monthly - February 2014
Nora Chipaumire anchors Black Choreographers Festival
SF Gate - February 15, 2014
Black Choreographers Festival Opens with a WOW!...
SF Bay Guardian - February 14, 2013
Black Choreographers Festival Takes Flight.....
Review 2013
immediate revu by balcony bros after BCF kickoff at Laney College celebrating Dimensions Dance Theater's 40th Anniversary.
SFGate - February 7, 2013 festival preview
Black Choreographers Festival - Tigner.....
Dance Magazine - February 2013
Rhythm and Soul - 9th Annual Black Choreographers Festival ....
San Francisco Examiner - January 4, 2013
The ninth annual Black Choreographers Festival in San Francisco...
San Francisco Bay Guardian - Review, February 15, 2012
Opening-weekend triumphs at the 2012 Black Choreographers Festival
San Francisco Chronicle - Review, February 22, 2010
Dance review: Black Choreographers Festival
San Francisco Bay Guardian - Review, February 11, 2009
"Spirited" - Black Choreographers Festival takes off
SF Bay Guardian - Best of the Bay 2009
DanceViewTimes - Review, February 2007
SF Chronicle -Jan 30, 2005
The year 1995 was a landmark for the Black Choreographers Moving Toward the 21st Century Festival, or BCM, as insiders know it. That year, the showcase -- which sparked a national dialogue in the African American dance world with its start in 1989 -- featured all Bay Area artists. A 27-year-old virtuoso named Robert Henry Johnson held the house in rapture, fluttering between ballet, hip-hop and jazz moves with the delicacy of a butterfly and the brashness of a boxer. Another still-young talent, Robert Moses, danced a solo wearing a collar and a face full of rage, provoking tears and exclamations.,,,,
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